{"id":781,"date":"2013-06-27T17:37:31","date_gmt":"2013-06-27T16:37:31","guid":{"rendered":"http:\/\/www.aberth.com\/blog\/?p=781"},"modified":"2017-06-21T15:23:26","modified_gmt":"2017-06-21T15:23:26","slug":"how-to-use-swooping-in-your-storytelling","status":"publish","type":"post","link":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/","title":{"rendered":"How to use &#8216;swooping&#8217; in your storytelling"},"content":{"rendered":"<p>I made a presentation to Cardiff Geek Speak this month about &#8216;<strong>swooping in storytelling<\/strong>&#8216; and they asked me to put my presentation online. I haven&#8217;t put the whole thing here but I have highlighted \u00a0out one section, which looks at some of the elements that make up&#8230;<\/p>\n<p><b>A great story<\/b><\/p>\n<p><b>\u00a0<\/b>E.g. <a href=\"http:\/\/www.bbc.co.uk\/wales\/audiovideo\/sites\/yourvideo\/pages\/hanne_jones_01.shtml\">Walking with Maurice by\u00a0Hanne\u00a0Jones<\/a>\u00a0on the BBC Capture Wales website.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Starts with one incident and work out from that.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has a clear point of view (Hanne&#8217;s was a personal take).<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Makes you give a damn &#8211; I can&#8217;t define how to do this, but I did care for\u00a0Hanne\u00a0and her Granddad.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has the stepping-stone-effect: when you reach the other bank you can see where you came from and how you got here.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is told to be heard, not read.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Works well even without visuals; would be a great radio piece.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is\u00a0<i>just<\/i>\u00a0long enough.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Plants mystery bombs (&#8220;I found my soulmate&#8221; &#8211; who is that?)<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Explodes each mystery bomb, when it&#8217;s time (&#8220;Maurice is not just my special friend; he is also my Granddad.&#8221;)<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Reveals surprises: &#8220;we take time to walk slowly&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of scale: zooms the imagination out from a teardrop at the corner of an eye to a sweeping forest vista.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of emotion: &#8220;cries when he&#8217;s happy &#8230; and when he&#8217;s sad&#8221;<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0May have swoops of time:\u00a0Hanne\u00a0aged 5, 15, 25, in the future, and then back again.<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sometimes has swoops of place: the forest, the garden swing, heaven &#8230;<\/p>\n<p>&nbsp;<\/p>\n<p>\u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Etc&#8230;<\/p>\n<p>When the storyteller gets this swooping right, they can produce butterflies in the tummy of the person listening to their story. This kind of emotional response is what makes stories memorable and storytellers unforgettable.<\/p>\n<figure style=\"width: 320px\" class=\"wp-caption alignnone\"><a title=\"Peregrine Falcon AlaS 01 by THE Holy Hand Grenade!, on Flickr\" href=\"http:\/\/www.flickr.com\/photos\/pfsullivan_1056\/4931887211\/\"><img loading=\"lazy\" src=\"https:\/\/i1.wp.com\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg?resize=320%2C229\" alt=\"Swooping in storytelling - Peregrine Falcon AlaS 01\" width=\"320\" height=\"229\" data-recalc-dims=\"1\" \/><\/a><figcaption class=\"wp-caption-text\">Swooping in storytelling &#8211; photo by Paul Sullivan.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p><em>Originally written and published by Gareth Morlais on 27 June 2013<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I made a presentation to Cardiff Geek Speak this month about &#8216;swooping in storytelling&#8216; and they asked me to put my presentation online. I haven&#8217;t put the whole thing here but I have highlighted \u00a0out one section, which looks at some of the elements that make up&#8230; A great story \u00a0E.g. Walking with Maurice by\u00a0Hanne\u00a0Jones\u00a0on the BBC Capture Wales website. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Starts with one incident and work out from that. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has a clear point of view (Hanne&#8217;s was a personal take). \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Makes you give a damn &#8211; I can&#8217;t define how to do this, but I did care for\u00a0Hanne\u00a0and her Granddad. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has the stepping-stone-effect: when you reach the other bank you can see where you came from and how you got here. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is told to be heard, not read. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Works well even without visuals; would be a great radio piece. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is\u00a0just\u00a0long enough. &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Plants mystery bombs (&#8220;I found my soulmate&#8221; &#8211; who is that?) \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Explodes each mystery bomb, when it&#8217;s time (&#8220;Maurice is not just my special friend; he is also my Granddad.&#8221;) \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Reveals surprises: &#8220;we take time to walk slowly&#8221; &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of scale: zooms the imagination out from a teardrop at the corner of an eye to a sweeping forest vista. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of emotion: &#8220;cries when he&#8217;s happy &#8230; and when he&#8217;s sad&#8221; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0May have swoops of time:\u00a0Hanne\u00a0aged 5, 15, 25, in the future, and then back again. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sometimes has swoops of place: the forest, the garden swing, heaven &#8230; &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Etc&#8230; When the storyteller gets this swooping right, they can produce butterflies in the tummy of the person listening to their story. This kind of emotional response is what makes stories memorable and storytellers unforgettable. &nbsp; Originally written and published by Gareth Morlais on 27 June 2013<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[8,11,23,27,25],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>How to use &#039;swooping&#039; in your storytelling - Aberth Digital Storytelling<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to use &#039;swooping&#039; in your storytelling - Aberth Digital Storytelling\" \/>\n<meta property=\"og:description\" content=\"I made a presentation to Cardiff Geek Speak this month about &#8216;swooping in storytelling&#8216; and they asked me to put my presentation online. I haven&#8217;t put the whole thing here but I have highlighted \u00a0out one section, which looks at some of the elements that make up&#8230; A great story \u00a0E.g. Walking with Maurice by\u00a0Hanne\u00a0Jones\u00a0on the BBC Capture Wales website. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Starts with one incident and work out from that. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has a clear point of view (Hanne&#8217;s was a personal take). \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Makes you give a damn &#8211; I can&#8217;t define how to do this, but I did care for\u00a0Hanne\u00a0and her Granddad. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has the stepping-stone-effect: when you reach the other bank you can see where you came from and how you got here. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is told to be heard, not read. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Works well even without visuals; would be a great radio piece. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is\u00a0just\u00a0long enough. &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Plants mystery bombs (&#8220;I found my soulmate&#8221; &#8211; who is that?) \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Explodes each mystery bomb, when it&#8217;s time (&#8220;Maurice is not just my special friend; he is also my Granddad.&#8221;) \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Reveals surprises: &#8220;we take time to walk slowly&#8221; &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of scale: zooms the imagination out from a teardrop at the corner of an eye to a sweeping forest vista. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of emotion: &#8220;cries when he&#8217;s happy &#8230; and when he&#8217;s sad&#8221; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0May have swoops of time:\u00a0Hanne\u00a0aged 5, 15, 25, in the future, and then back again. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sometimes has swoops of place: the forest, the garden swing, heaven &#8230; &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Etc&#8230; When the storyteller gets this swooping right, they can produce butterflies in the tummy of the person listening to their story. This kind of emotional response is what makes stories memorable and storytellers unforgettable. &nbsp; Originally written and published by Gareth Morlais on 27 June 2013\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/\" \/>\n<meta property=\"og:site_name\" content=\"Aberth Digital Storytelling\" \/>\n<meta property=\"article:published_time\" content=\"2013-06-27T16:37:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-06-21T15:23:26+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"melyn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#website\",\"url\":\"http:\/\/www.aberth.com\/digitalstorytelling\/\",\"name\":\"Aberth Digital Storytelling\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.aberth.com\/digitalstorytelling\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg\",\"contentUrl\":\"http:\/\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#webpage\",\"url\":\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/\",\"name\":\"How to use 'swooping' in your storytelling - Aberth Digital Storytelling\",\"isPartOf\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#primaryimage\"},\"datePublished\":\"2013-06-27T16:37:31+00:00\",\"dateModified\":\"2017-06-21T15:23:26+00:00\",\"author\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.aberth.com\/digitalstorytelling\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"How to use &#8216;swooping&#8217; in your storytelling\"}]},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e\",\"name\":\"melyn\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g\",\"caption\":\"melyn\"},\"url\":\"https:\/\/www.aberth.com\/digitalstorytelling\/author\/melyn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"How to use 'swooping' in your storytelling - Aberth Digital Storytelling","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/","og_locale":"en_US","og_type":"article","og_title":"How to use 'swooping' in your storytelling - Aberth Digital Storytelling","og_description":"I made a presentation to Cardiff Geek Speak this month about &#8216;swooping in storytelling&#8216; and they asked me to put my presentation online. I haven&#8217;t put the whole thing here but I have highlighted \u00a0out one section, which looks at some of the elements that make up&#8230; A great story \u00a0E.g. Walking with Maurice by\u00a0Hanne\u00a0Jones\u00a0on the BBC Capture Wales website. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Starts with one incident and work out from that. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has a clear point of view (Hanne&#8217;s was a personal take). \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Makes you give a damn &#8211; I can&#8217;t define how to do this, but I did care for\u00a0Hanne\u00a0and her Granddad. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has the stepping-stone-effect: when you reach the other bank you can see where you came from and how you got here. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is told to be heard, not read. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Works well even without visuals; would be a great radio piece. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Is\u00a0just\u00a0long enough. &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Plants mystery bombs (&#8220;I found my soulmate&#8221; &#8211; who is that?) \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Explodes each mystery bomb, when it&#8217;s time (&#8220;Maurice is not just my special friend; he is also my Granddad.&#8221;) \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Reveals surprises: &#8220;we take time to walk slowly&#8221; &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of scale: zooms the imagination out from a teardrop at the corner of an eye to a sweeping forest vista. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Has swoops of emotion: &#8220;cries when he&#8217;s happy &#8230; and when he&#8217;s sad&#8221; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0May have swoops of time:\u00a0Hanne\u00a0aged 5, 15, 25, in the future, and then back again. \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Sometimes has swoops of place: the forest, the garden swing, heaven &#8230; &nbsp; \u00b7\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Etc&#8230; When the storyteller gets this swooping right, they can produce butterflies in the tummy of the person listening to their story. This kind of emotional response is what makes stories memorable and storytellers unforgettable. &nbsp; Originally written and published by Gareth Morlais on 27 June 2013","og_url":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/","og_site_name":"Aberth Digital Storytelling","article_published_time":"2013-06-27T16:37:31+00:00","article_modified_time":"2017-06-21T15:23:26+00:00","og_image":[{"url":"http:\/\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg"}],"twitter_card":"summary","twitter_misc":{"Written by":"melyn","Est. reading time":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebSite","@id":"http:\/\/www.aberth.com\/digitalstorytelling\/#website","url":"http:\/\/www.aberth.com\/digitalstorytelling\/","name":"Aberth Digital Storytelling","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/www.aberth.com\/digitalstorytelling\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"ImageObject","@id":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#primaryimage","inLanguage":"en-US","url":"http:\/\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg","contentUrl":"http:\/\/farm5.staticflickr.com\/4096\/4931887211_827e4a757b_n.jpg"},{"@type":"WebPage","@id":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#webpage","url":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/","name":"How to use 'swooping' in your storytelling - Aberth Digital Storytelling","isPartOf":{"@id":"http:\/\/www.aberth.com\/digitalstorytelling\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#primaryimage"},"datePublished":"2013-06-27T16:37:31+00:00","dateModified":"2017-06-21T15:23:26+00:00","author":{"@id":"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e"},"breadcrumb":{"@id":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.aberth.com\/digitalstorytelling\/how-to-use-swooping-in-your-storytelling\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/www.aberth.com\/digitalstorytelling\/"},{"@type":"ListItem","position":2,"name":"How to use &#8216;swooping&#8217; in your storytelling"}]},{"@type":"Person","@id":"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e","name":"melyn","image":{"@type":"ImageObject","@id":"http:\/\/www.aberth.com\/digitalstorytelling\/#personlogo","inLanguage":"en-US","url":"https:\/\/secure.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g","caption":"melyn"},"url":"https:\/\/www.aberth.com\/digitalstorytelling\/author\/melyn\/"}]}},"jetpack_featured_media_url":"","jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1hoYu-cB","jetpack-related-posts":[{"id":1198,"url":"https:\/\/www.aberth.com\/digitalstorytelling\/digital-storytelling-innovations-my-storytelling-for-a-just-future-presentation\/","url_meta":{"origin":781,"position":0},"title":"Digital Storytelling Innovations for my Storytelling for a &#8216;Just&#8217; Future presentation","date":"June 21, 2021","format":false,"excerpt":"I've been invited to give a presentation about digital storytelling innovations at the Storytelling for a 'Just' Future conference this week. 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And - wearing my DS Cymru member hat - I'd like to invite you to come :-) Yes, DS3 has expanded to two days this year\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/www.aberth.com\/blog\/images\/ds3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":157,"url":"https:\/\/www.aberth.com\/digitalstorytelling\/what-has-been-important-for-you-in-your-life\/","url_meta":{"origin":781,"position":5},"title":"\u201cWhat has been important for you in your life?\u201d","date":"April 23, 2010","format":false,"excerpt":"That's the question Hanne Jones and Eli Lea from Flimmer Film asked as they went from door to door at old people's homes in Norway. The answers they were given were as different as the people they met. 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