{"id":32,"date":"2006-10-17T18:07:45","date_gmt":"2006-10-17T17:07:45","guid":{"rendered":"http:\/\/www.aberth.com\/blog\/?p=32"},"modified":"2017-12-02T11:08:19","modified_gmt":"2017-12-02T11:08:19","slug":"streaming-media-europe-presentation","status":"publish","type":"post","link":"https:\/\/www.aberth.com\/digitalstorytelling\/streaming-media-europe-presentation\/","title":{"rendered":"Streaming Media Europe presentation"},"content":{"rendered":"

Presentation at Streaming Media Europe 2006<\/a> about Managing Digital Assets<\/strong>, taking Digital Storytelling as a case study, by Gareth Morlais – BBC Wales Digital Storytelling.
\nDigital Stories are two minute personal films created by the storyteller, using their own photos words and voice.<\/p>\n

Slide 1 – The Any List<\/strong><\/a>
\nRights management becomes easier if you brief authors before production. Digital Storytelling is no different to any other form of content production. Here\u2019s the advice we give:<\/p>\n

ANY photos or clips of \u2018other people\u2019s children\u2019?
\nANY sensitive issue involving a third party in relation to violence, abuse, sexuality, unhappy family background, marital problems, privacy, fairness, etc. which might cause hurt to them or to anyone else now or in the future?
\nANY more than 30 seconds of commercial music?
\nANY non-commercial music by family or friends?
\nANY photos by anyone other than you, your family or friends?
\nANY scans or images from newspaper or magazine articles, CD or book covers, the internet, works of art, etc?
\nANY grabs or clips of any video other than your family home videos?
\nANY scans of maps?
\nANY quotes, poems or lines of text written by other people outside your own family?
\nANY libellous content?
\nANY company brands named or shown?
\nFINALLY has the impact of your story on the safety of other people, especially children and young people, been considered?<\/p>\n

Workflow from submission to publication:
\nIf a video clip (Digital Story) is submitted from outside the publishing organisation, establish ownership, formalise partnership and reach agreement regarding relationship and licensing. View and assess the clip, conduct a rights audit, but don’t clear rights yet. For chosen clips, get consents needed to exhibit (rights-holder\u2019s, storyteller\u2019s and also parents\/guardians of under-18s). Clear rights and address other third party issues, then publish. Finally, inform storyteller it\u2019s live.<\/p>\n

SLIDE 2 – Dream Deliverables
\n<\/a><\/strong>When it comes to physically managing the assets, here\u2019s a model called Dream Deliverables which we\u2019re looking at for Digital Storytelling:<\/p>\n

One data DVD containing three files:
\n1. full-sized movie file
\n2. text transcript
\n3. metadata.txt<\/p>\n

Example of content of metadata.txt:<\/p>\n

1. statement of copyright holder
\n2. storyteller name + contact details
\n3. OK to pass on story + contact details?
\n4. copyright log
\n5. any under-18s identifiable?
\n6. etc.<\/p>\n

I showed the following three Digital Stories:<\/p>\n

Dai Evans – Two Families<\/a><\/strong><\/p>\n

Amy Broadstock – Wintergreen<\/a><\/strong> Allan Jeffreys – A Dog\u2019s Life<\/a><\/strong><\/p>\n

\"scrapbooking
Photo<\/a> by CarbonNYC [in SF!]<\/a> <\/a><\/small><\/figcaption><\/figure>Written and first published by Gareth Morlais on 17 October 2006.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Presentation at Streaming Media Europe 2006 about Managing Digital Assets, taking Digital Storytelling as a case study, by Gareth Morlais – BBC Wales Digital Storytelling. Digital Stories are two minute personal films created by the storyteller, using their own photos words and voice. Slide 1 – The Any List Rights management becomes easier if you brief authors before production. Digital Storytelling is no different to any other form of content production. Here\u2019s the advice we give: ANY photos or clips of \u2018other people\u2019s children\u2019? ANY sensitive issue involving a third party in relation to violence, abuse, sexuality, unhappy family background, marital problems, privacy, fairness, etc. which might cause hurt to them or to anyone else now or in the future? ANY more than 30 seconds of commercial music? ANY non-commercial music by family or friends? ANY photos by anyone other than you, your family or friends? ANY scans or images from newspaper or magazine articles, CD or book covers, the internet, works of art, etc? ANY grabs or clips of any video other than your family home videos? ANY scans of maps? ANY quotes, poems or lines of text written by other people outside your own family? ANY libellous content? ANY company brands named or shown? FINALLY has the impact of your story on the safety of other people, especially children and young people, been considered? Workflow from submission to publication: If a video clip (Digital Story) is submitted from outside the publishing organisation, establish ownership, formalise partnership and reach agreement regarding relationship and licensing. View and assess the clip, conduct a rights audit, but don’t clear rights yet. For chosen clips, get consents needed to exhibit (rights-holder\u2019s, storyteller\u2019s and also parents\/guardians of under-18s). Clear rights and address other third party issues, then publish. Finally, inform storyteller it\u2019s live. SLIDE 2 – Dream Deliverables When it comes to physically managing the assets, here\u2019s a model called Dream Deliverables which we\u2019re looking at for Digital Storytelling: One data DVD containing three files: 1. full-sized movie file 2. text transcript 3. metadata.txt Example of content of metadata.txt: 1. statement of copyright holder 2. storyteller name + contact details 3. OK to pass on story + contact details? 4. copyright log 5. any under-18s identifiable? 6. etc. I showed the following three Digital Stories: Dai Evans – Two Families Amy Broadstock – Wintergreen Allan Jeffreys – A Dog\u2019s Life Written and first published by Gareth Morlais on 17 October 2006.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[8,15,24,27],"tags":[],"yoast_head":"\nStreaming Media Europe presentation - Aberth Digital Storytelling<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aberth.com\/digitalstorytelling\/streaming-media-europe-presentation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Streaming Media Europe presentation - Aberth Digital Storytelling\" \/>\n<meta property=\"og:description\" content=\"Presentation at Streaming Media Europe 2006 about Managing Digital Assets, taking Digital Storytelling as a case study, by Gareth Morlais – BBC Wales Digital Storytelling. Digital Stories are two minute personal films created by the storyteller, using their own photos words and voice. Slide 1 – The Any List Rights management becomes easier if you brief authors before production. Digital Storytelling is no different to any other form of content production. Here\u2019s the advice we give: ANY photos or clips of \u2018other people\u2019s children\u2019? ANY sensitive issue involving a third party in relation to violence, abuse, sexuality, unhappy family background, marital problems, privacy, fairness, etc. which might cause hurt to them or to anyone else now or in the future? ANY more than 30 seconds of commercial music? ANY non-commercial music by family or friends? ANY photos by anyone other than you, your family or friends? ANY scans or images from newspaper or magazine articles, CD or book covers, the internet, works of art, etc? ANY grabs or clips of any video other than your family home videos? ANY scans of maps? ANY quotes, poems or lines of text written by other people outside your own family? ANY libellous content? ANY company brands named or shown? FINALLY has the impact of your story on the safety of other people, especially children and young people, been considered? Workflow from submission to publication: If a video clip (Digital Story) is submitted from outside the publishing organisation, establish ownership, formalise partnership and reach agreement regarding relationship and licensing. View and assess the clip, conduct a rights audit, but don’t clear rights yet. For chosen clips, get consents needed to exhibit (rights-holder\u2019s, storyteller\u2019s and also parents\/guardians of under-18s). Clear rights and address other third party issues, then publish. Finally, inform storyteller it\u2019s live. SLIDE 2 – Dream Deliverables When it comes to physically managing the assets, here\u2019s a model called Dream Deliverables which we\u2019re looking at for Digital Storytelling: One data DVD containing three files: 1. full-sized movie file 2. text transcript 3. metadata.txt Example of content of metadata.txt: 1. statement of copyright holder 2. storyteller name + contact details 3. 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The DST Conference Committee is hosting this conference as an online 24-hour Digital Storytelling \u2018marathon\u2019 on the 21st and 22nd of June 2021. There should be some great creative\u2026","rel":"","context":"In "citizenship"","img":{"alt_text":"BBC Capture Wales website showcased many digital storytelling innovations","src":"https:\/\/i1.wp.com\/www.aberth.com\/digitalstorytelling\/wp-content\/uploads\/2021\/06\/900-20070314capture.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":33,"url":"https:\/\/www.aberth.com\/digitalstorytelling\/streaming-media-europe\/","url_meta":{"origin":32,"position":1},"title":"Streaming Media Europe","date":"October 11, 2006","format":false,"excerpt":"I\u2019m speaking in London on Friday and the subject of the session is Managing Digital Assets, taking Digital Storytelling as a case study. A new concept I\u2019ll be introducing is that of Dream Deliverables. I won\u2019t say too much before the event, but here\u2019s a link to two of the\u2026","rel":"","context":"In "digital storytelling"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1203,"url":"https:\/\/www.aberth.com\/digitalstorytelling\/video-digital-storytelling-2001-08-some-innovations\/","url_meta":{"origin":32,"position":2},"title":"Video: ‘Digital Storytelling 2001-08, some innovations’","date":"June 22, 2021","format":false,"excerpt":"Here's the 15-minute video of my presentation about digital storytelling innovations at the #dst2021 Storytelling for a \u2018Just\u2019 Future conference run by the DST Conference Committee on the 21st and 22nd of June 2021.","rel":"","context":"In "conference"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":37,"url":"https:\/\/www.aberth.com\/digitalstorytelling\/60000-storytellers\/","url_meta":{"origin":32,"position":3},"title":"60000 storytellers","date":"September 5, 2007","format":false,"excerpt":"Wow, I've just been reading about the Singapore International Storytelling Festival that's going on this week. 60,000 storytellers are expected to attend. I'm struggling to imagine that many people all coming together for a storytelling festival. Fantastic! Digital storytelling is on the programme this year and Denise Atchley is taking\u2026","rel":"","context":"In "digital storytelling"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":462,"url":"https:\/\/www.aberth.com\/digitalstorytelling\/digital-storytelling-as-a-marketing-tool\/","url_meta":{"origin":32,"position":4},"title":"Digital Storytelling as a marketing tool","date":"October 11, 2011","format":false,"excerpt":"This post is about how audio storytelling has been used to publicise a radio play. On Friday, I attended an industry screening by Cyfle's Digital Delta multiplatform writers. 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E.g. free web-based editing tools they'll be able to continue using after you've moved\u2026","rel":"","context":"In "digital storytelling"","img":{"alt_text":"Kate Strudwick, Breaking Barriers, ","src":"https:\/\/i2.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/bb.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts\/32"}],"collection":[{"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/comments?post=32"}],"version-history":[{"count":3,"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts\/32\/revisions"}],"predecessor-version":[{"id":1129,"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts\/32\/revisions\/1129"}],"wp:attachment":[{"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/media?parent=32"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/categories?post=32"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/tags?post=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}