{"id":739,"date":"2013-06-04T16:27:59","date_gmt":"2013-06-04T15:27:59","guid":{"rendered":"http:\/\/www.aberth.com\/blog\/?p=739"},"modified":"2017-12-02T08:30:00","modified_gmt":"2017-12-02T08:30:00","slug":"the-guilt-every-photographer-feels","status":"publish","type":"post","link":"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/","title":{"rendered":"The guilt every photographer feels"},"content":{"rendered":"<p>Photographer guilt stems from the disarray of our photographic collections on various devices and \u00a0lack of legacy archive planning.<\/p>\n<p>Back in the day when we used film and had our photographs developed and printed, there were two things that were different from today&#8217;s digital image world.<\/p>\n<p>We were more careful about the images we captured because there was stock and production to pay for.<\/p>\n<p>We could put our hands on our proudest images because we&#8217;d move them from the developer&#8217;s envelope into photo albums and scrapbooks.<\/p>\n<p>Today, we snap more images. They&#8217;re kept on different places: phones, cameras, storage cards and drives, hard drives, laptops and in the cloud. It&#8217;s harder to surface the gems from this sea of images.<\/p>\n<p>The guilt is that feeling of &#8220;one day I&#8217;m going to sort this and compile my pool of desert island photographs. The ones I want to leave my children which will help them remember the story of their father&#8217;s life.&#8221;<\/p>\n<p>So why haven&#8217;t already done this?<\/p>\n<figure id=\"attachment_1017\" aria-describedby=\"caption-attachment-1017\" style=\"width: 490px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i1.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg\"><img data-attachment-id=\"1017\" data-permalink=\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/straycatistanbul\/\" data-orig-file=\"https:\/\/i1.wp.com\/www.aberth.com\/digitalstorytelling\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg?fit=490%2C389\" data-orig-size=\"490,389\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"straycatistanbul\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i1.wp.com\/www.aberth.com\/digitalstorytelling\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg?fit=300%2C238\" data-large-file=\"https:\/\/i1.wp.com\/www.aberth.com\/digitalstorytelling\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg?fit=490%2C389\" loading=\"lazy\" class=\"wp-image-1017 size-full\" src=\"https:\/\/i1.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg?resize=490%2C389\" alt=\"stray cat in Istanbul\" width=\"490\" height=\"389\" srcset=\"https:\/\/i1.wp.com\/www.aberth.com\/digitalstorytelling\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg?w=490 490w, https:\/\/i1.wp.com\/www.aberth.com\/digitalstorytelling\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg?resize=300%2C238 300w\" sizes=\"(max-width: 490px) 100vw, 490px\" data-recalc-dims=\"1\" \/><\/a><figcaption id=\"caption-attachment-1017\" class=\"wp-caption-text\">Stray cat at doner kebab stall in Istanbul May 2013. Photo by @digitalst<\/figcaption><\/figure>\n<p><em>First written and published by Gareth Morlais on 4 June 2013.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Photographer guilt stems from the disarray of our photographic collections on various devices and \u00a0lack of legacy archive planning. Back in the day when we used film and had our photographs developed and printed, there were two things that were different from today&#8217;s digital image world. We were more careful about the images we captured because there was stock and production to pay for. We could put our hands on our proudest images because we&#8217;d move them from the developer&#8217;s envelope into photo albums and scrapbooks. Today, we snap more images. They&#8217;re kept on different places: phones, cameras, storage cards and drives, hard drives, laptops and in the cloud. It&#8217;s harder to surface the gems from this sea of images. The guilt is that feeling of &#8220;one day I&#8217;m going to sort this and compile my pool of desert island photographs. The ones I want to leave my children which will help them remember the story of their father&#8217;s life.&#8221; So why haven&#8217;t already done this? First written and published by Gareth Morlais on 4 June 2013.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[5,7,19,20,27],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The guilt every photographer feels - Aberth Digital Storytelling<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The guilt every photographer feels - Aberth Digital Storytelling\" \/>\n<meta property=\"og:description\" content=\"Photographer guilt stems from the disarray of our photographic collections on various devices and \u00a0lack of legacy archive planning. Back in the day when we used film and had our photographs developed and printed, there were two things that were different from today&#8217;s digital image world. We were more careful about the images we captured because there was stock and production to pay for. We could put our hands on our proudest images because we&#8217;d move them from the developer&#8217;s envelope into photo albums and scrapbooks. Today, we snap more images. They&#8217;re kept on different places: phones, cameras, storage cards and drives, hard drives, laptops and in the cloud. It&#8217;s harder to surface the gems from this sea of images. The guilt is that feeling of &#8220;one day I&#8217;m going to sort this and compile my pool of desert island photographs. The ones I want to leave my children which will help them remember the story of their father&#8217;s life.&#8221; So why haven&#8217;t already done this? First written and published by Gareth Morlais on 4 June 2013.\" \/>\n<meta property=\"og:url\" content=\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/\" \/>\n<meta property=\"og:site_name\" content=\"Aberth Digital Storytelling\" \/>\n<meta property=\"article:published_time\" content=\"2013-06-04T15:27:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-02T08:30:00+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"melyn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#website\",\"url\":\"http:\/\/www.aberth.com\/digitalstorytelling\/\",\"name\":\"Aberth Digital Storytelling\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.aberth.com\/digitalstorytelling\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg\",\"contentUrl\":\"http:\/\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/straycatistanbul.jpg\"},{\"@type\":\"WebPage\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/#webpage\",\"url\":\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/\",\"name\":\"The guilt every photographer feels - Aberth Digital Storytelling\",\"isPartOf\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#website\"},\"primaryImageOfPage\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/#primaryimage\"},\"datePublished\":\"2013-06-04T15:27:59+00:00\",\"dateModified\":\"2017-12-02T08:30:00+00:00\",\"author\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e\"},\"breadcrumb\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.aberth.com\/digitalstorytelling\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"The guilt every photographer feels\"}]},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e\",\"name\":\"melyn\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/1.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/1.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g\",\"caption\":\"melyn\"},\"url\":\"http:\/\/www.aberth.com\/digitalstorytelling\/author\/melyn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"The guilt every photographer feels - Aberth Digital Storytelling","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/www.aberth.com\/digitalstorytelling\/the-guilt-every-photographer-feels\/","og_locale":"en_US","og_type":"article","og_title":"The guilt every photographer feels - Aberth Digital Storytelling","og_description":"Photographer guilt stems from the disarray of our photographic collections on various devices and \u00a0lack of legacy archive planning. 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As part of the National Library of Wales and funded by Heritage Lottery and Welsh Assembly Government, Culturenet Cymru is working on a project based in Aberystwyth called 'From Warfare to Welfare'. There're\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"geoff charles photo","src":"https:\/\/i0.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/2008\/06\/18896618320_b84f3ee5d6_geoff-charles.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/edit-images-online\/","url_meta":{"origin":739,"position":1},"title":"Edit images online","date":"January 23, 2007","format":false,"excerpt":"Here\u2019s a\u00c2 chart comparing the features of\u00c2 ten browser-based online image editors: Snipshot, PXN8, VicImager, Picture2Life, Cellsea, Phixr, NetImager, Image Author, nexImage and\u00c2 LookWow: http:\/\/www.smileycat.com\/miaow\/archives\/online-image-editors.html The most useful feature on my wishlist is \u2018crop to target size\u2019 and it\u2019s unfortunately not one of the features compared here.","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":125,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/how-do-you-solve-a-problem-like-portrait\/","url_meta":{"origin":739,"position":2},"title":"How do you solve a problem like portrait?","date":"June 26, 2009","format":false,"excerpt":"Showing landscape-oriented photos and still images in your digital story is straightforward. You just crop, constraining dimensions to 768 x 576 pixels, or whichever dimensions you use. But how do you crop and display portrait-oriented images in your story? If you want full control over the way your portrait-oriented photos\u2026","rel":"","context":"In &quot;capturing assets&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":82,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/avoid-using-other-peoples-stuff-number-7-of-7-ds-no-nos\/","url_meta":{"origin":739,"position":3},"title":"Avoid using other people\u2019s stuff &#8211; number 7 of 7 DS no-nos","date":"August 6, 2008","format":false,"excerpt":"This is your story, so try to use your own images, story, words, original sentiments, music, style, philosophy, etc. as far as you can. The promotion of royalty-free content advocated by some digital storytelling trainers means that opportunities may be missed. Of course, sometimes you'll find yourself working with people\u2026","rel":"","context":"In &quot;capturing assets&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":43,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/scottish-stories\/","url_meta":{"origin":739,"position":4},"title":"Scottish stories","date":"October 9, 2007","format":false,"excerpt":"The first of BBC Scotland's Highland Lives videos and audio slideshows are now live at http:\/\/www.bbc.co.uk\/scotland\/highlandlives\/. I watched two videos - To Catch a Lobster and Love to Grow. They were mainly video with some still images. They had some really rare moments and certainly revealed something special about the\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":65,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/tokyo-video-scrapbook\/","url_meta":{"origin":739,"position":5},"title":"Tokyo Video Scrapbook","date":"May 2, 2008","format":false,"excerpt":"Tokyo and Mell Expo 2008 were absolutely mindblowing. A more considered summary of Mell Expo 2008 will follow. For now, with music by B'z, is a montage of (Ricoh) images and (Nokia N93) video clips that capture the flavour of the event and the trip. 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