{"id":647,"date":"2012-10-20T17:17:43","date_gmt":"2012-10-20T16:17:43","guid":{"rendered":"http:\/\/www.aberth.com\/blog\/?p=647"},"modified":"2012-10-20T17:17:43","modified_gmt":"2012-10-20T16:17:43","slug":"a-gentle-introduction-to-creative-commons-for-digital-storytellers","status":"publish","type":"post","link":"http:\/\/www.aberth.com\/digitalstorytelling\/a-gentle-introduction-to-creative-commons-for-digital-storytellers\/","title":{"rendered":"A gentle introduction to Creative Commons for digital storytellers"},"content":{"rendered":"

Copyright in the old days:<\/strong>
\nAll of this is owned by me, contact me if you want to discuss the possibility of re-using it.<\/p>\n

Copyright nowadays:<\/strong>
\nYou can still use the above model.<\/p>\n

Or\u2026<\/p>\n

You can state explicitly and irrevocably up front that you\u2019re happy for people to re-use your intellectual property in certain stated circumstances without them having to come to ask your permission every time.<\/p>\n

This is attractive to those making digital stories who want the world to be able to share and re-embed what they’ve made. And a knowlege of this kind of license is useful for someone who wants to include other people’s work within their own digital story.<\/p>\n

\"\"<\/a><\/p>\n

One model that\u2019s popular is the Creative Commons<\/strong> licence, which has three axes:<\/p>\n

1. Whether or not you want a name-check (Attribution or BY) for your work
\n 2. Whether or not you\u2019re willing for others to alter your work, or create derivatives. Risk: someone may Photoshop someone else\u2019s body onto that image of your child\u2019s face you put on Flickr. Three options here:
\n (a) If you want your work untouched, just passed on as it is, use NoDerivs (ND)
\n (b) If you do decide to allow alterations as long as the new author shares it in the same way as your original work was, you add ShareAlike or SA to the label.
\n (c) If you don\u2019t care what happens to the altered work, no mention need be made of this on the license label.
\n 3. Whether or not you care about others making money for themselves out of what is yours. This part of the label says either Non-Commercial (NC) or there\u2019s no mention of it.<\/p>\n

So a Creative Commons license which is labelled: Attribution, No Derivatives, Non Commercial means I\u2019m happy for you to use my work without getting in touch with me as long as you name-check me as the creator, don\u2019t change my work and don\u2019t make any money from its re-distribution.<\/p>\n

A more relaxed license \u2013 used by Wikipedia \u2013 is Attribution-ShareAlike or CC BY-SA. This is the license many of those lobbying governments to open up publicly-funded data would like to see adopted by governments.<\/p>\n

Creative Commons is most straightforward if the thing you made was entirely made by you and contains no unlicensable third-party elements. So a video diary of you speaking your own words to camera in front of a blank wall is OK to label with Creative Commons. If there was a photo by Steve McCurry in the background, or some commercial music playing and it’s no longer ‘all yours’ and it might no longer be fair to pass the right on to others to use the clip.<\/p>\n

So, as you can see, a knowledge of Creative Commons is useful for anyone involved in a diital storytelling project.<\/p>\n

Source:
\nhttp:\/\/creativecommons.org\/licenses\/ – on this site you can read more about correct attribution, various international territories, comparisons between CC and Public Domain, etc.<\/p>\n

Disclaimer \u2013 I\u2019m not a lawyer; please don\u2019t take what I say as legal advice. <\/p>\n","protected":false},"excerpt":{"rendered":"

Copyright in the old days: All of this is owned by me, contact me if you want to discuss the possibility of re-using it. Copyright nowadays: You can still use the above model. Or\u2026 You can state explicitly and irrevocably up front that you\u2019re happy for people to re-use your intellectual property in certain stated circumstances without them having to come to ask your permission every time. This is attractive to those making digital stories who want the world to be able to share and re-embed what they’ve made. And a knowlege of this kind of license is useful for someone who wants to include other people’s work within their own digital story. One model that\u2019s popular is the Creative Commons licence, which has three axes: 1. Whether or not you want a name-check (Attribution or BY) for your work 2. Whether or not you\u2019re willing for others to alter your work, or create derivatives. Risk: someone may Photoshop someone else\u2019s body onto that image of your child\u2019s face you put on Flickr. Three options here: (a) If you want your work untouched, just passed on as it is, use NoDerivs (ND) (b) If you do decide to allow alterations as long as the new author shares it in the same way as your original work was, you add ShareAlike or SA to the label. (c) If you don\u2019t care what happens to the altered work, no mention need be made of this on the license label. 3. Whether or not you care about others making money for themselves out of what is yours. This part of the label says either Non-Commercial (NC) or there\u2019s no mention of it. So a Creative Commons license which is labelled: Attribution, No Derivatives, Non Commercial means I\u2019m happy for you to use my work without getting in touch with me as long as you name-check me as the creator, don\u2019t change my work and don\u2019t make any money from its re-distribution. A more relaxed license \u2013 used by Wikipedia \u2013 is Attribution-ShareAlike or CC BY-SA. This is the license many of those lobbying governments to open up publicly-funded data would like to see adopted by governments. Creative Commons is most straightforward if the thing you made was entirely made by you and contains no unlicensable third-party elements. So a video diary of you speaking your own words to camera in front of a blank wall is OK to label with Creative Commons. If there was a photo by Steve McCurry in the background, or some commercial music playing and it’s no longer ‘all yours’ and it might no longer be fair to pass the right on to others to use the clip. So, as you can see, a knowledge of Creative Commons is useful for anyone involved in a diital storytelling project. Source: http:\/\/creativecommons.org\/licenses\/ – on this site you can read more about correct attribution, various international territories, comparisons between CC and Public Domain, etc. Disclaimer \u2013 I\u2019m not a lawyer; please don\u2019t take what I say as legal advice.<\/p>\n","protected":false},"author":1,"featured_media":650,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[5,11,15,19],"tags":[],"yoast_head":"\nA gentle introduction to Creative Commons for digital storytellers - Aberth Digital Storytelling<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.aberth.com\/digitalstorytelling\/a-gentle-introduction-to-creative-commons-for-digital-storytellers\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A gentle introduction to Creative Commons for digital storytellers - Aberth Digital Storytelling\" \/>\n<meta property=\"og:description\" content=\"Copyright in the old days: All of this is owned by me, contact me if you want to discuss the possibility of re-using it. Copyright nowadays: You can still use the above model. Or\u2026 You can state explicitly and irrevocably up front that you\u2019re happy for people to re-use your intellectual property in certain stated circumstances without them having to come to ask your permission every time. This is attractive to those making digital stories who want the world to be able to share and re-embed what they’ve made. And a knowlege of this kind of license is useful for someone who wants to include other people’s work within their own digital story. One model that\u2019s popular is the Creative Commons licence, which has three axes: 1. Whether or not you want a name-check (Attribution or BY) for your work 2. Whether or not you\u2019re willing for others to alter your work, or create derivatives. Risk: someone may Photoshop someone else\u2019s body onto that image of your child\u2019s face you put on Flickr. Three options here: (a) If you want your work untouched, just passed on as it is, use NoDerivs (ND) (b) If you do decide to allow alterations as long as the new author shares it in the same way as your original work was, you add ShareAlike or SA to the label. (c) If you don\u2019t care what happens to the altered work, no mention need be made of this on the license label. 3. Whether or not you care about others making money for themselves out of what is yours. This part of the label says either Non-Commercial (NC) or there\u2019s no mention of it. So a Creative Commons license which is labelled: Attribution, No Derivatives, Non Commercial means I\u2019m happy for you to use my work without getting in touch with me as long as you name-check me as the creator, don\u2019t change my work and don\u2019t make any money from its re-distribution. A more relaxed license \u2013 used by Wikipedia \u2013 is Attribution-ShareAlike or CC BY-SA. This is the license many of those lobbying governments to open up publicly-funded data would like to see adopted by governments. Creative Commons is most straightforward if the thing you made was entirely made by you and contains no unlicensable third-party elements. So a video diary of you speaking your own words to camera in front of a blank wall is OK to label with Creative Commons. If there was a photo by Steve McCurry in the background, or some commercial music playing and it’s no longer ‘all yours’ and it might no longer be fair to pass the right on to others to use the clip. So, as you can see, a knowledge of Creative Commons is useful for anyone involved in a diital storytelling project. 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She's venturing into the private sector making stories with owners, marketing staff, customers, etc. and she was asking members of the Facebook DS Working Group for advice about consents and copyright. I'd say\u2026","rel":"","context":"In "capturing assets"","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/20170802_085551-1024x768.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/streaming-media-europe-presentation\/","url_meta":{"origin":647,"position":1},"title":"Streaming Media Europe presentation","date":"October 17, 2006","format":false,"excerpt":"Presentation at Streaming Media Europe 2006 about Managing Digital Assets, taking Digital Storytelling as a case study, by Gareth Morlais - BBC Wales Digital Storytelling. Digital Stories are two minute personal films created by the storyteller, using their own photos words and voice. Slide 1 - The Any List Rights\u2026","rel":"","context":"In "digital storytelling"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":30,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/good-housekeeping-in-digital-storytelling\/","url_meta":{"origin":647,"position":2},"title":"Good housekeeping in Digital Storytelling","date":"November 27, 2006","format":false,"excerpt":"File and folder housekeeping is really important when it comes to building, re-building and archiving your Digital Story movie-file and associated assets. It\u2019s worth emphasising this. Devise a way of working whereby all the components of the Digital Story fit in named sub-folders of one master folder which has the\u2026","rel":"","context":"In "capturing assets"","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":173,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/planning-digital-storytelling-project\/","url_meta":{"origin":647,"position":3},"title":"Four strategic questions to ask yourself when planning digital storytelling projects","date":"August 25, 2010","format":false,"excerpt":"Asking yourself these four questions should help you when strategically\u00a0planning digital storytelling projects: 1. how will you address consents? Privacy laws in the UK are more relaxed than in other countries like France. Setting laws to one side, ask yourself: if that was me\/my child in that story, would I\u2026","rel":"","context":"In "digital storytelling"","img":{"alt_text":"Steve Bellis presenting his Rural Stories","src":"https:\/\/i1.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/2017\/12\/ruralstories.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":68,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/festival-of-digital-storytelling-2008\/","url_meta":{"origin":647,"position":4},"title":"Festival of Digital Storytelling 2008","date":"May 14, 2008","format":false,"excerpt":"Registration is now open for Wales's third annual Festival of Digital Storytelling at Aberystwyth Arts Centre on Thursday 5th and Friday 6 June 2008. And - wearing my DS Cymru member hat - I'd like to invite you to come :-) Yes, DS3 has expanded to two days this year\u2026","rel":"","context":"In "digital storytelling"","img":{"alt_text":"","src":"https:\/\/i1.wp.com\/www.aberth.com\/blog\/images\/ds3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":221,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/hacior-iaith-hacking-the-welsh-language\/","url_meta":{"origin":647,"position":5},"title":"Hacio’r Iaith – hacking the Welsh language","date":"January 30, 2011","format":false,"excerpt":"I spent Saturday in Aberystwyth at Hacio'r Iaith - the second annual Welsh-language code camp. Highlights included: A fantastic one-hour crash crowd-sourced creative session aimed at translating newly-out-of-copyright Welsh poet Gwilym Deudraeth's work into multimedia, digital stories and more. 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