{"id":119,"date":"2009-06-02T08:28:38","date_gmt":"2009-06-02T07:28:38","guid":{"rendered":"http:\/\/www.aberth.com\/blog\/managable-digital-storytelling-for-museums.html"},"modified":"2017-12-02T09:49:35","modified_gmt":"2017-12-02T09:49:35","slug":"managable-digital-storytelling-for-museums","status":"publish","type":"post","link":"http:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/","title":{"rendered":"Managable digital storytelling for museums"},"content":{"rendered":"<p>How can museums resource this: recording and sharing visitors&#8217; interpretations and stories about its artefacts?<\/p>\n<p>One of the challenges around publishing personal stories made by lots of people is keeping on top of the ethical issues around the right to portray others in public. This will be especially true of teachers and also of public organisations like museums, libraries and educational courses. Recording, tracking and demonstrating that there&#8217;s proof that individuals are happy for you to show their work is one thing; getting second signoff by a parent\/guardian in the case of stories by children, young people and vulnerable people is quite another. From my experience in BBC production, it&#8217;s the showing of individuals&#8217; faces that brings on the paperwork.<\/p>\n<p>As pondered on this, I came up with an idea that&#8217;s aimed at museums that would like to encourage visitors to tell their own personal stories about its artefacts. A story form which is captured in a kiosk where the artefact is shown but the face of the storyteller isn&#8217;t necessarily shown frees up the museum to:<br \/>\n1. open the activity up to many more people, including people who are more shy to show their faces<br \/>\n2. worry less about consents.<\/p>\n<p>The story needs to be expertly facilitated, but technical resources can be reduced by setting up an automatic capture kiosk. Here&#8217;s how it works:<br \/>\n1. the visitor chooses an artefact that means something to them<br \/>\n2. they sign their name on a sheet below the video camera&#8217;s len, then pick up and hold the artefact whilst telling their story. They carry the object &#8216;out of frame&#8217; at the end of their story, leaving just their signature in shot.<\/p>\n<p>The end-product is a one-minute video clip which the museum shows alongside the artefact and which is burned onto a DVD for the visitor to take away.<\/p>\n<p>Here&#8217;s a rough-and-ready proof of concept so you can see what I mean:<\/p>\n<p>I hope you find this model useful; please feel free to add comments.<\/p>\n<p><em>Written and first published by Gareth Morlais on 2 June 2009. Sorry the video&#8217;s no longer available. The hosting site changed its terms of use so I took it down and haven&#8217;t published it elsewhere. Let me know if you&#8217;d like a copy.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>How can museums resource this: recording and sharing visitors&#8217; interpretations and stories about its artefacts? One of the challenges around publishing personal stories made by lots of people is keeping on top of the ethical issues around the right to portray others in public. This will be especially true of teachers and also of public organisations like museums, libraries and educational courses. Recording, tracking and demonstrating that there&#8217;s proof that individuals are happy for you to show their work is one thing; getting second signoff by a parent\/guardian in the case of stories by children, young people and vulnerable people is quite another. From my experience in BBC production, it&#8217;s the showing of individuals&#8217; faces that brings on the paperwork. As pondered on this, I came up with an idea that&#8217;s aimed at museums that would like to encourage visitors to tell their own personal stories about its artefacts. A story form which is captured in a kiosk where the artefact is shown but the face of the storyteller isn&#8217;t necessarily shown frees up the museum to: 1. open the activity up to many more people, including people who are more shy to show their faces 2. worry less about consents. The story needs to be expertly facilitated, but technical resources can be reduced by setting up an automatic capture kiosk. Here&#8217;s how it works: 1. the visitor chooses an artefact that means something to them 2. they sign their name on a sheet below the video camera&#8217;s len, then pick up and hold the artefact whilst telling their story. They carry the object &#8216;out of frame&#8217; at the end of their story, leaving just their signature in shot. The end-product is a one-minute video clip which the museum shows alongside the artefact and which is burned onto a DVD for the visitor to take away. Here&#8217;s a rough-and-ready proof of concept so you can see what I mean: I hope you find this model useful; please feel free to add comments. Written and first published by Gareth Morlais on 2 June 2009. Sorry the video&#8217;s no longer available. The hosting site changed its terms of use so I took it down and haven&#8217;t published it elsewhere. Let me know if you&#8217;d like a copy.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true},"categories":[8,11,21,23,27],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Managable digital storytelling for museums - Aberth Digital Storytelling<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Managable digital storytelling for museums - Aberth Digital Storytelling\" \/>\n<meta property=\"og:description\" content=\"How can museums resource this: recording and sharing visitors&#8217; interpretations and stories about its artefacts? One of the challenges around publishing personal stories made by lots of people is keeping on top of the ethical issues around the right to portray others in public. This will be especially true of teachers and also of public organisations like museums, libraries and educational courses. Recording, tracking and demonstrating that there&#8217;s proof that individuals are happy for you to show their work is one thing; getting second signoff by a parent\/guardian in the case of stories by children, young people and vulnerable people is quite another. From my experience in BBC production, it&#8217;s the showing of individuals&#8217; faces that brings on the paperwork. As pondered on this, I came up with an idea that&#8217;s aimed at museums that would like to encourage visitors to tell their own personal stories about its artefacts. A story form which is captured in a kiosk where the artefact is shown but the face of the storyteller isn&#8217;t necessarily shown frees up the museum to: 1. open the activity up to many more people, including people who are more shy to show their faces 2. worry less about consents. The story needs to be expertly facilitated, but technical resources can be reduced by setting up an automatic capture kiosk. Here&#8217;s how it works: 1. the visitor chooses an artefact that means something to them 2. they sign their name on a sheet below the video camera&#8217;s len, then pick up and hold the artefact whilst telling their story. They carry the object &#8216;out of frame&#8217; at the end of their story, leaving just their signature in shot. The end-product is a one-minute video clip which the museum shows alongside the artefact and which is burned onto a DVD for the visitor to take away. Here&#8217;s a rough-and-ready proof of concept so you can see what I mean: I hope you find this model useful; please feel free to add comments. Written and first published by Gareth Morlais on 2 June 2009. Sorry the video&#8217;s no longer available. The hosting site changed its terms of use so I took it down and haven&#8217;t published it elsewhere. Let me know if you&#8217;d like a copy.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/\" \/>\n<meta property=\"og:site_name\" content=\"Aberth Digital Storytelling\" \/>\n<meta property=\"article:published_time\" content=\"2009-06-02T07:28:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-12-02T09:49:35+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"melyn\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#website\",\"url\":\"http:\/\/www.aberth.com\/digitalstorytelling\/\",\"name\":\"Aberth Digital Storytelling\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/www.aberth.com\/digitalstorytelling\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/#webpage\",\"url\":\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/\",\"name\":\"Managable digital storytelling for museums - Aberth Digital Storytelling\",\"isPartOf\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#website\"},\"datePublished\":\"2009-06-02T07:28:38+00:00\",\"dateModified\":\"2017-12-02T09:49:35+00:00\",\"author\":{\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e\"},\"breadcrumb\":{\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/www.aberth.com\/digitalstorytelling\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Managable digital storytelling for museums\"}]},{\"@type\":\"Person\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#\/schema\/person\/052ce1ffb8d82c3a588d79a3b9e80b7e\",\"name\":\"melyn\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"http:\/\/www.aberth.com\/digitalstorytelling\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"http:\/\/1.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g\",\"contentUrl\":\"http:\/\/1.gravatar.com\/avatar\/aab291c1a5e95ed98dafe92ceaef8653?s=96&d=mm&r=g\",\"caption\":\"melyn\"},\"url\":\"http:\/\/www.aberth.com\/digitalstorytelling\/author\/melyn\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Managable digital storytelling for museums - Aberth Digital Storytelling","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.aberth.com\/digitalstorytelling\/managable-digital-storytelling-for-museums\/","og_locale":"en_US","og_type":"article","og_title":"Managable digital storytelling for museums - Aberth Digital Storytelling","og_description":"How can museums resource this: recording and sharing visitors&#8217; interpretations and stories about its artefacts? 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Here&#8217;s a rough-and-ready proof of concept so you can see what I mean: I hope you find this model useful; please feel free to add comments. Written and first published by Gareth Morlais on 2 June 2009. Sorry the video&#8217;s no longer available. The hosting site changed its terms of use so I took it down and haven&#8217;t published it elsewhere. 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As this question's related to museum of the future, I'll begin with an\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":382,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/culture-shock-museums-and-galleries-digital-storytelling-conference-29-sept-2011\/","url_meta":{"origin":119,"position":1},"title":"Culture Shock! museums and galleries digital storytelling conference 29 Sept 2011","date":"July 13, 2011","format":false,"excerpt":"It's always a treat to hear about a brand new digital storytelling conference. And here's some news of a new one one this autumn in the north-east of England. Culture Shock! is one of the biggest digital storytelling projects in the world. At the time of writing they've published 560\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"Culture Shock! 2011 flyer","src":"https:\/\/i1.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/cultureshock2011.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":135,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/new-rhondda-lives-digital-stories-website\/","url_meta":{"origin":119,"position":2},"title":"New Rhondda Lives digital stories website","date":"July 3, 2009","format":false,"excerpt":"Katrina Kirkwood has just finished archiving the Rhondda Lives films on one fantastic new website: www.rhonddalives.org.uk. There are 80 stories to view. The rationale behind the project is explained and there's a description of how the stories were made. I'm a member of the Museums 3.0 Ning group and I\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":120,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/three-digital-storytelling-ideas-for-museums\/","url_meta":{"origin":119,"position":3},"title":"Three digital storytelling ideas for museums","date":"June 3, 2009","format":false,"excerpt":"If you work in a museum, library or archive and you're looking for digital storytelling inspiration, here are links to three ideas in this blog: Archive Meets Storytelling - A step-by-step set of instructions on how to run a workshop which delivers short videos mixing considered but unscripted personal reminiscence\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":172,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/digital-storytelling-on-the-high-street\/","url_meta":{"origin":119,"position":4},"title":"Digital storytelling on the high street","date":"August 15, 2010","format":false,"excerpt":"Wouldn't it be great if you could pop in to get some expert help and make your own digital story while shopping in town? Well, during August 2010, if you're lucky enough to live in Newcastle in the north-east of England, you can.\u00a0 Culture Shop is Culture Shock's empty shop\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"Exterior Culture Shop, Newcastle UK","src":"https:\/\/i0.wp.com\/www.kitchcat.com\/aberth\/blog\/images\/extcultureshop.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":405,"url":"http:\/\/www.aberth.com\/digitalstorytelling\/displaying-digital-stories\/","url_meta":{"origin":119,"position":5},"title":"Displaying digital stories","date":"July 30, 2011","format":false,"excerpt":"If you're looking for ways of displaying your project's digital stories, here are two examples to consider. I'm working for the BBC at Eisteddfod Genedlaethol Cymru in Wrexham this week and in the BBC Cymru Wales 'cube' tent on the maes (Eisteddfod field) there are two video displays that may\u2026","rel":"","context":"In &quot;digital storytelling&quot;","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.aberth.com\/blog\/wp-content\/uploads\/casgliadywerin-kiosk.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts\/119"}],"collection":[{"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/comments?post=119"}],"version-history":[{"count":3,"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts\/119\/revisions"}],"predecessor-version":[{"id":1064,"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/posts\/119\/revisions\/1064"}],"wp:attachment":[{"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/media?parent=119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/categories?post=119"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.aberth.com\/digitalstorytelling\/wp-json\/wp\/v2\/tags?post=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}