“How can people participate without necessarily having to be centre stage?” That’s a question I’ve been asking myself ever since discussing digital storytelling with a colleague, Grahame Davies, last year. My experience of Digital Stories is that they’re usually personal. This aspect of ‘talking about myself’ raises a barrier in some people and cultures. This was an issue raised by some people I met in Japan earlier this year. Last night, on TV, I saw a piece of video that stands as a good example of a ‘tribute form’. Look at the first 55 seconds of the video clip on this page. It’s in Welsh. It features people who live…
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From Copenhagen to Wrexham via Jamaica
Joe Lambert of the Center for Digital Storytelling has written with news of workshops he’s holding in Copenhagen this summer and of exciting plans to establish a European Center for Digital in conjunction with Copehagen Business School. Joe’s team will be joined for the workshops by guest trainers Lisa Heledd Jones (BBC Wales and George Ewart Evans Centre for Storytelling) and Barrie Stephenson of digistories.co.uk. There are details of the workshops here. Next: knife crime is a problem in some British cities. I think community leaders may take inspiration from Mervin Jarman’s story. He’s just been awarded the Stockholm Challenge Trophy. He’s set up a digilab where people can come…
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Making Space workshops using more accessible digital storytelling tools
I’ve always been puzzled by this paradox: people get so many new skills by making their first digital story …. yet most people only ever produce one digital story. It was Jenny Kidd, whose PhD subject was Digital Storytelling at the BBC, who drew my attention to this. The team at University of Glamorgan (called South Wales University since 2013) has been exploring lowering some of the barriers to continuation by devising forms that use widely-available online production tools and social media tools. Carwyn Evans, Lisa Heledd Jones and Susie Pratt of BBC Wales and University of Glamorgan held a workshop in Aberystwyth just before DS3 where they led a…
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Signals from society
I’ve been corresponding recently with Wim Kievits who’s had an interest in Digital Storytelling for some time. He recently contacted me regarding a presentation he’s making in the Netherlands later this week. He asked what triggered BBC Wales’s interest in starting Capture Wales and asked: “Can you tell me or point out to me how the whole initiative started? What were the initial challenges (or signals from society) you encountered that made you decide to start this initiative?” Well I can’t speak on behalf of BBC Wales but I can remember a time when it used to cost £30,000 to buy a machine to edit video. So it was expensive/exclusive…
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Tokyo Video Scrapbook
Tokyo and Mell Expo 2008 were absolutely mindblowing. A more considered summary of Mell Expo 2008 will follow. For now, with music by B’z, is a montage of (Ricoh) images and (Nokia N93) video clips that capture the flavour of the event and the trip. Hope you enjoy it:
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Tokyo Mell Expo 2008 presentation
There’s an enigma around technology, isn’t there? Take the mobile phone for example. We used to use just it to make phonecalls; now phones have near-broadcast-quality video cameras on board too. If only there was a way of releasing some more of the potential of technology for the benefit of society… Let me start with some questions about this: 1. What motivation and opportunities could be given to people in Japan to make more use of the creative capacity of their mobile devices and computers? 2. Which ‘forms’ of Digital Storytelling would be most attractive in this country to both author & audience of the content?3. And how could this…
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Media Exprimo, Japan
Back in 2003, BBC Wales organised an International Digital Storytelling Conference. Two of the many attendees travelled to Cardiff all the way from Japan to be with us: 1. Akiko Ogawa, Associate Professor at the Faculty of Studies on Contemporary Society at Aichi Shukutoko University and 2. Aske Dam a Norwegian participatory media specialist who has worked extensively in the Far East on developments in mobile technology. This wasn’t the last time I met Akiko and Aske. They’ve both maintained a lively interest in Digital Storytelling developments in Wales. In fact, Akiko has returned to Wales twice: she came to a Digital Storytelling workshop we ran in Cardiff and she…
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How to upgrade your home video so it can be broadcast on TV
Between Christmas and New Year, we stayed with my brother in law Dylan’s family. Dylan’s wife had given him a camcorder for Christmas and he’d filmed his family opening and playing with their presents on Christmas morning. He played the disk back and it was interesting to watch how people construct home videos. What Dylan had shot was a documentary-style piece showing other people – but not Dylan himself – opening their presents. We did hear Dylan’s disconnected voice from behind the lens, giving a running commentary and asking questions to his subjects. Watching this home video set me wondering about what Dylan might need to do to get what…
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What God looks like
Hamish Fyfe: ‘I remember being in a classroom in Northern Ireland where the children were drawing. I noticed one little girl of about seven and asked her what she was drawing. “I’m doing a drawing of God” she said. I said I thought that was interesting since a lot of people didn’t really know what God looked like. “Oh”, she said, “that’s alright, they will in a minute”.’ That’s a story Prof. Fyfe told at University of Glamorgan last night as he set out his vision for society where there are exciting new spaces set out for the arts. He show digital stories and compared today’s You Tube age with…
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Media Literacy Summit
I had an interesting day at the Media Literacy Task Force’s Digital Media Literacy Summit at Channel 4 in London yesterday. “Right now there are more than 300 million people around the world watching video content online. It’s a fundamental shift that completely democratises our business.” Peter Chernin, News Corp. (Jon Gisby’s slide; I think this is the source.) Yes, democracy can be served by absorbing content but it’s participation is what makes the democracy vibrant … and that isn’t happening yet because only: “0.16% of YouTube users upload to YouTube” (Ewan McIntosh‘s slide – photo of Guardian chart, May 2007) I’d really hoped for more from the Task Force…